Play or concert?
(a little more about the music competition)
Better is simpler, but better
Most often (but not always) a music competition, one way or another, is built in the form of an ordinary pop concert. This is exactly what the KVN workers of the 60s did. They lined up one after another ready-made musical numbers for reasons of change of pace and mass character, as well as an increase in the expected success by the end of the competition. However, do not forget that the first song should not be the weakest either. It was at that time that the classical staging form of the “choir with soloists” was invented, which was quite successfully exploited by the inhabitants of Odessa until the mid-90s. And between the songs, the most ordinary entertainer was made - individual or pair, consisting of a set of reprises, the last of which served as a conclusion to the next musical number.
The first NSU team brought the form of such a divertissement to filigree simplicity. They no longer needed a choir - almost all the numbers, except for the final song, were performed by soloists or a duet. And the final song was not always written for a music competition. They practically did not even use backup dancers, the role of which was previously quite effectively performed by the choir. And all this feast of the spirit was always united by the same parody-cheeky entertainer (Vladimir Duda), whose texts were also built according to an ideally simple principle: two “killer” reprises of the “news” type, of which the second, as a rule, brought the viewer closer to the topic the next number and - the classic ironic announcement of the number. Perhaps the biggest dramaturgical refinement that Novosibirsk allowed itself in the final of 1991 was a parody of the New Year's "Blue Light", in which there were already a couple of hosts and "studio guests", who, however, did not say a word.
That's the whole drama! And this simplest scheme worked, works and will always work for the reason that divertissement is such a familiar form for the viewer that in any KVN performance it is a parody of itself. This, in fact, is analogous to the “team entered the stage” situation in the greeting. And also in this scheme there are undeniable advantages and undeniable inconveniences.
Let's start with the benefits. The first and most obvious is the simplicity of dramaturgy! And this very simplicity always plays into the hands of the quality of humor, because it makes it easy to put into context your best reprises on absolutely any topic, without wasting time on setting some special situation. In the same way, you can easily swap musical numbers in a competition, noticing, say, at a rehearsal, that their success rate turned out to be completely different from what you originally expected. Finally, such a scheme ideally allows you to introduce the viewer into the context of the song itself, if you like - “explain what you need to laugh at in it”.
Recall that the viewer's perception of the situation and, moreover, the plot directly from the text of the song is difficult. Story songs in general are a very rare thing, although it has existed for many centuries. These are ballads. But in this case, you must warn
spectator that a ballad will now be performed.
It often happens that a song, like a joke, initially arises simply from a pun on a famous line or a technical shifter. And then the meaning of the number has to be searched additionally, to “select”. Example? Please!
In 1995, the Tbilisi team "Real toastmasters" brought a nice synchro buffonade to their first game: the soldiers' choir sang the "Don't-cry-girl" speeded up twice. It was well staged, but it looked absolutely pointless. And only when it came up that it was “The choir of the rapid response group of the Russian army, which for the third year now cannot leave the territory of Georgia” (then this issue was very relevant), the number began to be perceived with a bang.
So, the benefits are obvious! It remains only to find out why such a simple and clear form has not been seen on the KVN stage for a long time?
The fact is that any “ideal” form implies “ideal” musical numbers. Novosibirsk - with their forty authors, hundreds of reprises and a couple of dozens of songs applying for performance in one competition - it was quite suitable. Moreover, any complication (and experiments in this direction were already in full swing) was deliberately rejected by them, since it could only interfere with the perception of truly brilliant texts. For the same reason, choirs and backing vocals that “chew” the words were abandoned, and therefore there were no distracting backup dancers.
But if you don't have the luxury of forty good authors on your team, or if you're just drawn to experimentation, you'll probably find it interesting to read this chapter to the end.
You won't say goodbye to the song...
The musical competition is distinguished in KVN by the greatest variety of genres. It's just that unlike, say, greetings, it does not initially have a sufficiently strict genre definition. By and large, the only criterion for the “musicality” of a competition is the presence of more or less music in it, and from this point of view, any competition in the current KVN (with the exception, perhaps, of the warm-up and captain’s) can be called musical.
One way or another, most music competitions use the form of "presenter with a concert", which is "put on" some additional situation.
An elementary option, known even to amateur school performances, is the rehearsal or preparation of this very concert. Nevertheless, this technique has repeatedly led to success on the big KVN stage. (For example, “rehearsal of the factory holiday” in the semi-final-99 of BSU, “rehearsal of the opening of “Kinotavr” near Sochi and “rehearsal of the Kremlin concert” in Tomsk in the quarter-finals -2000.) Another no less common option is to add some scandalous behind-the-scenes situation to the concert . It was on this that the entertainer of the famous Tomsk “musician” of the quarter-finals of 1998 was built, in which “in the village of Liverpool” the local director of the club gave advice to the visiting presenter.
The form of divertissement can be hidden “deeper”. How did they do it, let's say "Four Tatars" in 1 \ 4-98, lowering their concert into an underground passage. However, if the word “deeper” is not so formally read, it is easy to understand that the same form is hidden in the Tomsk conversation between Mozart and Salieri (1\8-98), and in the elegant course of KhAI with the metro (1\8-95), when the theme of the song was set simply by an announcement of a stop or transfer to another line (“The next station is Anzheliko-Varumskaya, a transition to the Agutinskaya line!”). This also includes countless parodies of television programs (“The Musical Ring” of the “New Armenians” in the semi-final-99.)
The advantages of “situational divertissement” are undeniable. And the biggest of them is the uncertainty in such a music-to-text ratio competition. Musical numbers are a specific thing, and not everyone succeeds in them. And here, theoretically, you can “pull out” the competition, having only one full-fledged musical number. An introductory and final song is added to it, a couple of musical “pokes” are added, and - all this together looks quite musical! Another thing is that the idea then should already be original, and the text should be really funny.
Perhaps, the “Makhachkala Tramps” were the first to do this, showing in the final “musical” of 1996 “Dagestan news” - a parody of the “news of Dagestan television”. There was really only one, and a rather weak number, which even few people remember today. But the well-thought-out and played out situation not only brought success in the game, but even entered the KVN annals.
I must say that at the end of the 90s, many teams often began to abuse this technique, frankly shifting the center of gravity of the music competition to text “pads”. But, alas! - every deception the viewer reveals sooner or later, and what was forgiven to the discoverers, now can cause outright irritation. So, if you want to play KVN, then sooner or later you will have to learn how to make musical numbers.
Some like it hot...
Now let's talk about musical exoticism. Moreover, it is some very exotic forms of music competitions that at one time made a splash, and now they are rightly considered KVN classics.
Let's start with a shape called "music collage". Its essence lies in the fact that many short fragments are performed in a row “non-stop”, more or less flowing into each other. At one time, the inhabitants of Odessa brought on stage in droves the heroes of “Slave Izaura”, then close to the heart of any ordinary viewer, which allowed them to “speak out” solo, in groups or all together on any burning topics, which in those days, thank God, were enough. It was there that such “classic lines” were heard, such as:
Nothing to be sad about, my friend.
Not in our native Brazil
Three Marxists, three cheerful friends
Founded their cheerful system.
And:
The train will depart from Red Square,
The Jews will move, and who will remain? ..
The main technological advantage of this form is the possibility of using short song fragments, which, as you know, are born much easier and more often than one manages to come across a worthy topic for a full-fledged musical number. But linking such passages into a collage allows you to create the feeling of a “big musical canvas”.
At the same time, a very specific form of a “short piece of music” was born, which was invented and “used 100%” by the people of Dnepropetrovsk for a decade. The basic laws were guessed by them right away in the very first musical number that completed the final DZ of 1988 - “Transfer me to self-support” (to the music of S. Nikitin “Transfer me through the Maidan”).
Such a performance in its classical form is based on a verse form, with each verse being sung by a new hero (or group of heroes). The illusion of dramatic development is achieved by the fact that the characters gradually appear and accumulate on the stage in order to sing something final and moralizing in the final with a powerful chorus. (However, the characters may immediately be on the stage, as in the famous "Emmanuel" or "Skhodka" of Russian writers, but then they gradually come into action.)
Actually, there are no other secrets of form in the Dnepropetrovsk “plays”. But! In their musical numbers there were not only magnificent texts, absolutely exactly worked out according to all KVN canons - that is, every four lines represented a full-fledged reprise. There was something much more important and complex in them, which, in fact, gave the KVN team the right to call itself the KVN Theater at one time: these were not classic KVN “expositions”, but plays!
It is no coincidence that almost no one dared to use the Dnepropetrovsk uniform when a one-song contest appeared in the KVN arsenal. Although, we admit, it was invented with an eye on the DSU team. However, the cautious KVN players preferred a win-win divertissement in this version too, contriving to write several different numbers to one melody or simply pervert endlessly in arrangements, modulations and game “pictures”, composing one endless musical number.
And yet we encourage you to dare! Will it suddenly work? You just need to do this in advance, and not two days before the game. Two days is definitely not enough...
Finally, there is a very exotic scheme of the musical. True, it is extremely problematic to fit into the modern timing of a music competition. However, in recent years, a competition called “musical homework” has gained increasing popularity, for which the musical, in principle, fits perfectly.
Another thing is that a musical in the classical sense is a dramatic work in which songs are inextricably linked with action. True, the genre complexity of the task binds your KVN capabilities hand and foot. Nevertheless, the musical in KVN still exists, however, in a very peculiar global parody form.
In 1996, “Makhachkala Tramps” intuitively groped for it at first and brought their “17 Moments of Spring” to the Music Festival in Jurmala. It was very funny, and they rightfully won the “Kivin in Gold” then. But when they decided to do something similar in the semi-finals, it was very painful to analyze what they had actually done.
And then it turned out that they really ran into a “gold mine”: a parody of a cult plot! Indeed, if the viewer already knows this plot thoroughly, and even remembers individual episodes verbatim, there is no need to build any special plot for your own play. It is enough to hint that, in principle, you already know all this. And after that - walk, I don’t want to! Turn everything upside down and “combine the incompatible”! And now the Caucasian Stirlitz appears, who is escorted to his native village, and Hitler declares that “he used to be so angry because he didn’t have a bicycle.”
In the semi-finals, the Makhachkala residents brilliantly developed the theme of Rambo in the same genre (or rather, American military fighters in general). And then ... faced with an unsolvable problem. It turned out that there are not so many cult plots and heroes at all! As a result, the bet on “prison fighters”, which the “tramps” made in the superfinal-97, no longer led to the same success. In addition, it became obvious that even a parody plot must be supported by the prevailing mass of game episodes, and the oversaturation of such a competition with detailed musical numbers, even if they are superbly performed, leads to the fact that it “crumbles”.
Apparently, after this failure of the inventors of the genre themselves, KVN players considered him killed in the bud. And again, only the BSU team ventured into something similar, and only at the Musical Festival of 2000, being by that time already superchampions. This time the “Three Musketeers” went “to the scolding”. Moreover, the chosen genre was much closer to the classical musical than that of the Makhachkala residents. There was no longer a crazy mix of iconic phrases and musical styles. In fact, some kind of own parody plot was proposed, which nevertheless had to be built, and all musical numbers were honestly taken from a popular TV movie. And although objectively all this was very, very good, in the context of the music festival, the performance seemed too “loose” and stretched out. (Which, by the way, once again proves that the viewer has very clear criteria for the perception of specific competitions - criteria that must not be violated!). From the latest examples: "Olesya" of the "PE" team.
In conclusion, I would like to dwell on one obvious paradox. Why are such traditional musical genres as opera, ballet, or at least operetta practically not used in a music competition? Moreover, all this was very actively and successfully used by STEMs in their time?
Generally speaking, it would be strange if no one in this area had time to experiment. And, of course, there were experiments, and they were not very successful, which, in fact, discouraged followers.
The operetta, most likely due to inexperience, was made in its first game in 1986 by the MKhTI team. This, however, was not even a musical, but a journalistic competition “Welcome to Complain”. MAGMA “went” to the opera in the first game of the 1994 season. They also made a small ballet number in the semi-finals of that season, which at the same time almost exhausted the possibilities of the genre in KVN, since it parodied it as a whole: Lenin, Stalin and Trotsky in jackets and tutus took a few steps along the stage, and then breathed heavily and bowed to the audience for a long time . All.
As for the opera and operetta, they turned out to be extremely cumbersome for the presentation of the text. Just like in a natural theatre, the viewer, having tuned in to such a genre, immediately stops listening carefully to the words and pays more attention to singing, which, as you understand, is fatal for KVN.
However, in the quarter-finals of 2000, the opera number "Eugene Onegin" ventured to show Tomsk. And the fears were confirmed. In the process of rehearsals, it had to be greatly reduced and additionally laughed at with frankly non-opera details.
Generally speaking, it is theoretically possible to come up with a parody of a classical musical genre. Only for this, most likely, you need to directly sing or dance somehow very funny. And coming up with this, you see, is much more difficult than just a couple of text jokes!
The format of this competition came from the reduction of air time, when the whole musical task is very difficult to watch with a large number of teams and “non-limited” air.
Another history of the competition is rooted in the Regionals and Centrals, where at the initial stages and the 1/4 finals you need to already be able to write or learn to write complete competitions, with an idea, plot and minimal dramaturgy. And there, as a rule, a large number of teams in the game. And watching 8 homeworks in one game will be very difficult even for an inveterate KVN fan. That's why they came up with this competition.
The essence of the competition: in 2-3 minutes you need to show a number with a move, a story or an idea that will be interesting to the viewer for these same 2-3 minutes. The difference from a thumbnail or a number in a greeting is that the number is in a greeting, you can show 5 seconds and 15 and 20, depending on how interesting it will be and how much jokes will fit into it.
Tip: You should not write a competition from jokes. The queen of the competition will be the story and its ending. This is how films, series, sitcoms are written, therefore, KVN is not an innovator here. Many editors also advise writing a 7-minute contest so that, without losing the story or idea, only funny jokes can be left there.
The difference between the Music Number and the Competition of one number.
A musical number cannot exist without a musical component. Even the editor of the Higher League, Dmitry Kolchin, said: “Remove music from the competition, and if the competition continues to work, then it is not musical.”
The competition of one number can be a musical number. On the contrary - no.
What to build on when writing a competition of one number or music number.
Of course, there are eternal works that every person in the hall knows. There are not so many of them, and one must understand that they have long been worked out and discharged in KVN. You can write something new in the topic of well-known works only through the prism of your team, or through a bright character.
News and events that happen here and now come to the rescue. Any relevant news will be clear to the audience and the jury, therefore, any new information occasion will be your opportunity to be in this topic for the first time. And, therefore, the most ridiculous.
Tip: do not go overboard with the idea and its development. People come to KVN for the sake of humor and jokes. Therefore, it works perfectly here, as in STEM - an interesting story. Quite simply, it's a joke. “The lion issued a decree that one should not write obscenities on trees. The hare did not see the decree and is writing, ”that’s all. There is an interesting story that I want to see. You can lay down in two minutes, knowing what will happen at the end.
Examples of contests of one number and musical numbers:
KVN 2012. Major League. 1/4 finals. Team of the Kamyzyak Territory. Music number.
History: a song about the mayor of a small provincial town. Notice the motive. A very famous song for every person in the hall and at the screen. For your music number, it is best to take well-known and popular songs.
Content: a large number of jokes, folded into one story.
Tip: if the game has a contest of one number, oddly enough, it is better to prepare a musical number, because jokes set to music are perceived by the audience much better. There is, of course, the possibility that all the teams in the game will make a music competition, but that's another story...
KVN team "Cambridge" - 2013 1/4 Musical number.
Idea: Support for the Russian national football team. Since this is a television picture, it was necessary to decorate this whole idea visually. However, this is a musical number in which no one sings much. Here is a set of jokes related to remarks about our lives, wrapped in a shell of support for the Russian National Team. Such contests are written quite simply, the only question is the idea, which is extremely difficult to come up with.
Buns named after Yaroslav Hasek - 2016. Premier League. Third 1/8. Music number.
Idea: in fact, the simplest version of a musical number, which can also be winning in a particular game. The team has a large archive of carapaces and authors who can write them for such a competition in a short time. Next, the actual shell is taken. In this case - "Quest room" and already, after a move that begins with the fact that this quest must be completed and it will end anyway, songs are sung.
"Full House" - 2015. Krasnaya Polyana. Festival. Single number contest.
Target: development of creative abilities.
Tasks:
- the formation of acting skills;
- instilling a culture of spectators.
Decor: multimedia, costumes, phonograms.
Characters: presenter, Fly, Spiders (3), Komarik, Guests.
a girl with a laptop comes on stage, sings
Phonogram "I'll go out into the street and look at the village ..."
1 I'll go out, girls, go online,
I’ll take a look: oh, fathers, what’s not there,
I'll go out to unwind, shake boredom,
Get lost for a little bit there in virtuality ...
the second girl appears
2 What are you muttering?
1 So, I surf the Internet.
2 Yes, you have a new beech! You live well!
1 I'm not complaining, only people live even better: look (shows), play KVN.
2 class! Here we are!
a third girl appears
3 What are you twittering about?
2 Look: people are playing KVN, and we are like fallen from a palm tree ...
3 So let us.
1 What a good idea, just find a topic!
2 And why look for it - just about life and play ...
3 No, no, it's not interesting, let's talk about the good life ...
2 Or rather, about love - this is the best thing in life!
1 About love, so about love. Go!
run away
on the media screen:
Musical "Tsokotuha Fly"
Actors and performers are listed with portraits
Leading
Our Fly Tsokotuha
Didn't have a belly at all
And she was thin, slender,
Oh yes, there she is!
To the soundtrack of Glucose "And I have the most, most, most beautiful ..."
Fly-Tsokotuha appears, preens
natural blonde,
Good - just a picture,
And how she can sing!
But let's look.
Song of the Fly
"Spanking" Olya Polyakova
I was looking for him in the wide world,
Catalogs and the Internet
I shopped well in all the boutiques,
But I found it completely, imagine, not there.
takes out a samovar
I forgot to find the money
And I bought a samovar at the market,
I got it successfully: almost for nothing,
I even brought it here myself.
Top, top, top, top, top, top, top, top
Chorus: And I celebrated my birthday with him,
I invited everyone to tea insects,
Bread, bread, bread,
After all, a seagull is for free, why would it be bad?
Leading
The guests came running at once
And Mukha has no refusal:
Phonogram "A glass of vodka on the table"
Whatever you want is on the table...
Fly
Help yourself, do not seek!
Against the backdrop of the phonogram "Wedding" by Muslim Magomayev, guests are treated to
Phonogram "Wedding"
And then the guests, guests, guests
They sang and danced
And they drank everything, not just tea,
And the improvement of life was immediately noted,
So, by the way, in passing, by chance ...
Leading
Suddenly out of nowhere
Well, not like a very old man,
Bald and not an expert to speak,
Our Fly began to put pressure on pity:
Spider 1
I am a merman
Soundtrack from the cartoon "Flying Ship"
I am an engineer, I am an engineer
And for children, I'm not an example,
Eh! work early,
Neither silver nor gold
My dream, my dream
Great salary!
Leading
Mucha thought deeply
From girlfriends neither hearing nor spirit,
And what can they advise?
The poor fellow thrashed about in alarm.
Guests from the corners
"Good" Verka Serduchka
Okay, everything will be fine
Everything will be fine - we know it, we know it ...
Spider 2 appears with tattoos
Phonogram "Vladimir Central, north wind"
Leading
Here, you look, and another Spider,
Painted showed his barrel,
He also pulls his paws to the Fly,
Yes, why is it so ugly?
Spider 2
"Murka"
I have noticed you, beauty, for a long time,
I wove nets on you for a long time,
You are the only one responsible for my feelings,
You see, Mushka, I came to you ...
Leading
Spider, he is like that, he will not back down,
Threatens, promises and buys ...
Oh, look, and the third one has appeared,
In our Fly and this one fell in love ?!
Phonogram "Kings can do everything"
Spider 3 appears: cool, guarded, Spiders 1 and 2 twist
Spider 3
For you Stas Mikhailov
For you, for you
I'll build a house with a swimming pool for you,
And the limousine, of course, is also for you,
And to the Bahamas even now, loving you ...
Fly
I want love! Big and clean!!
Against the background of the soundtrack "Oh, God, what a man" Natalie appears Komarik
Leading
Finally the flashlight came on
It is he, our hero, our Komarik!
Mosquito
"Find me on the warm coast of summer" Brothers Borisenko
I will free you from tedious suitors,
With me, I'm sure you'll be better
I'm young and strong and I'm good looking
Look, I'm a real hero!
I will fill the world with love for you to the brim,
And our life will be happy like this,
I know that you, Fly, are also groovy,
We will have a duet with you.
Duo Mukha and Mosquito
"Crazy Spring" Potap and Nastya
Fly
Oh, how we got dizzy
crazy love,
Thrilled the blood
And we went crazy with her
Crazy love, crazy love.
Mosquito
I've been looking for you for a long time, like a plague,
How many different cool flies did I goggle my eyes at,
But none of them settled in the heart,
And then you got there and...
Fly
And I fell in love with you!
The guests sing
Phonogram "Good" Verka Serduchka
Okay everything will be fine
Everything will be fine - we knew it, we knew it,
Okay, everything will be fine...
Fly
Oh, it seems we played KVN!
Well, yes, we played!
End
This number for my musical competition for the school KVN was rated by the Customer with the word “Super!”.
I re-read the text before posting, and decided that it was so))
Because it was not too easy to beat the conditionally children's theme “Cleanliness is the guarantee of health” for the 10th grade.
But I did it.
It turned out modern, fun, and at the same time strictly on the topic. In general, it's cool, I think)).
And what do you think, write in the comments, please.
Two important points:
- This musical number is suitable for high and high school. The younger one is not. Unless, only the final 4th grade.
- According to the text, the word "KVN" is not pronounced by the team. Therefore, you can use the script both as a musical scene and as a regular musical scene on a given topic.
MUSIC COMPETITION KVN
"CLEANITY IS A GUARANTEE OF HEALTH"
THE MOST IMPORTANT:
- Children need to perform with drive, not at all thinking about how they look from the outside - think about it at rehearsals, and at KVN it’s already easy to have a good time, like at a good party, only within the script)))
- Because music, like nothing else, ignites the audience (and the jury is also the audience), and the stiffness when performing against the backdrop of bright melodies will be too visible.
- I know (and I think you know too) a lot of stories when NOT emancipation on stage turned potentially winning musical numbers into miserable ones.
- Therefore - again look at point 1)) Good luck!
MAIN ROLES
- Katya - a la Dani Klein (soloist of the group Vaya con dios) from the famous clip, but at the same time - a schoolgirl; phone in pocket
- Backing dancer - several people of the Team (or - the whole Team), enter with Katya and dance while she sings
- Clever - a boring smart girl, round glasses on her or in her pocket
- The boy is conditionally Roma, the main male role, the appearance is ordinary, in his pocket is an apple and a smartphone
- Microbes - 3 people of any gender in sweatshirts / vests with hoods pulled tightly around the face and signs with large inscriptions "Main Microbe", "Senior Microbe", "Just Microbe" (I know - the roles are NOT sweet-sounding, but - what is the topic, such are the roles) . Everyone has a long leash (ribbon / rope) in their hands or pocket, with which they are tied to the victim
- Zhanna - sings like Zhanna Aguzarova
- Team - a group of children on stage
MUSIC AND PERFORMERS
All music sounds in fragments, there is not a single complete song.
- Vaia con dios - Nay-na-na-na - Katya sings, backing dancer sings along
- Yolka - Handsome Boy - Zaumnitsa sings
- Kipelov - I'm free - boy Roma sings
- Denis Klyaver - Ask what you want - boy Roma sings
- Khachaturian - Saber Dance - as if Roma and Microbes are dancing
- Zhanna Aguzarova - Wonderful country - Zhanna sings
- Nikolay Noskov - And I don’t agree to anything less - the finale, everyone sings
Do you need repetitions (where and how many), introductory and final losses - decide at the rehearsal after timing.
There are few altered words. A “native” (or almost “native”) text makes the performance effective by superimposing it on “non-native” circumstances.
In some places, the backing track will have to be cut and glued, because instead of a chorus, I can have another verse.
ACTION
The melody of the song Vaiya con dios “Ney-na-na-na” sounds, Katya enters and sings on the stage, followed by a dancer who sings along and dances on the move. Dance movements - any modern, most importantly - clear and synchronous. Palms - compressed, unclench them only at the end.
If the Team is NOT all dancing, you can separate the groups: Katya goes, followed by an actively dancing Backing Dancer, a little further - the rest of the Team enters with a slightly dancing step.
Microbes are hiding among everyone, but so far they are not visible - the hoods are not yet put on, the nameplates are hidden under the sweatshirts, they behave like everyone else.
Vaia con dios "Nay-na-na-na"
Cleanliness is the key to health
we are told still awake!
Nay-na-na-na, nay-na-na-na
But we don't even raise an eyebrow,
We continue to sleep with love.
Nay-na-na-na, nay-na-na-na
Nay-na-na-na, nay-na-na-na
Oh, nay-na-na-na, nay-na-na-na
(You can not repeat so much, but glue the backing track only from the first lines with a one-time repetition)
======================
But as soon as we woke up
then dressed and put on shoes,
Nay-na-na-na, nay-na-na-na.
They ran to school quickly
all problems solved
Nay-na-na-na, nay-na-na-na
Nay-na-na-na, nay-na-na-na
Oh, nay-na-na-na, nay-na-na-na
======================
We got a lot of knowledge
And then they just realized
Nay-na-na-na, nay-na-na-na
That we forgot to wash -
(They open their fists, show dirty palms (dirty gloves / stickers) and dance further with already open palms. After the dance, dirty gloves / stickers are discreetly removed.
At this time, 2 Microbes appear, the Chief and the Elder, already in their own image. They take out the ropes and try to loop them over Katya’s hands, but it doesn’t come out - Katya sings, already standing still, but actively waving her hands to the beat of the music)
We were in a hurry to get to school!
Nay-na-na-na, nay-na-na-na
Nay-na-na-na, nay-na-na-na
Oh, nay-na-na-na, nay-na-na-na
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The song and dance ended, the Microbes hid the loops behind their backs, with their free hand they insinuatingly took the smiling Katya, who did not notice anything, under her elbows.
wisecrack:
Do you know how many germs are on an unwashed face, and especially on unwashed hands?
Team:
How many?
wisecrack:
Many, very many! ( Puts on / adjusts glasses, leans slightly towards Microbes, looks at them ) At least two.
Approaches Microbes, reads the tablet, looks in the face, says in confusion:
A microbe... Wow... And so cute...
And sings to each in turn:
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Yolka - handsome boy
Oh handsome boy
How many girls sigh
How many tears are shed
They are looking at you
(slightly shakes his inscription, turns to another).
Oh handsome boy
How many girls suffer
How much school skips
How bad for you
(lightly hits him with a finger in the inscription)
.
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The microbes hissed at the wisecrack in response and swung their nooses. The clever girl jumped back, Katya woke up, sharply freed her hands and pushed the Microbes away. They, bent over, jumped over to the Boy and quietly began to entangle his hands.
The boy does not notice, takes an apple out of his pocket, brings it to his mouth, but does not have time to bite - Microbe sneezes from behind, the Boy turns around at the sound and screams in fright.
Microbes, to each other:
- That's in vain you frightened him - he would have bitten an apple, and we would have moved from our hands into his stomach. And there would have come off as it should!
You better watch so that he doesn’t break away from us here ( pulled the leash, checking .)
The boy removes the apple, takes out the phone, calls Katya. Speaks a little panicky, brushing off Microbes with his free hand:
Katya, here your microbes climb to me!
Katya, standing a little to the side, answers the phone:
And what is written on them that they are mine?
The boy leans over, looking at the inscriptions:
No, they are written differently!
Well, deal with them, Roma - you're already a big boy.
So they are not small looking at Microbes from top to bottom ).
Then try to negotiate turned off b).
Okay, I'm going to try.
Microbam sings:
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Kipelov - I'm free
I could be with you gestures to one Microbe )
I could be friends with you pats the second on the shoulder, then frowns in disgust and shakes off his hand)
I could forget about everything (points to ropes) ), but it's just a game.
So it's better for you to leave, without offense and without longing,
And find something to do for all your kids.
I will be healthy! There is no more room in my soul for you! (Forefinger taps on the inscription of the Chief Microbe).
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The Germs, who had been calmly watching before, exchanged glances and stepped towards the Boy, hissing, baring their teeth and raising their outstretched palms like angry cats.
The boy jumped back in fear.
We couldn't come to an agreement, we need to come up with something ...
He walks back and forth on a leash, thinks nervously, “bites his nails”, then remembers that they are dirty, shakes off his hand.
Microbes look at him appraisingly, some with their arms crossed over their chests, some with their cheeks resting on their hands. We are talking:
This guy is stupid! On level ground!
Yeah. He has the Internet in his pocket, but he does not know what to think of.
Well, well, we're better off.
At the same time, Just a Microbe appears on the scene. He walks with a quick cheeky gait, opens his hand, planning to run it along the backs of the Team. But the Team noticed him and beat him (of course, HOW they beat him).
The germ breaks out, goes to its own, already limping and holding on to its side. The other two Germs gesture that he's late and tell him to bond with the Boy.
Boy:
Invented! ( He takes out a smartphone from his pocket, presses something there ) “OK, Google”, tell me - how do they destroy microbes?
OK, Google (slightly robotic voice from backstage or from deep within the Team):
Sanitary and epidemiological station.
Germ, a latecomer, ties his ribbon to the Boy. He tries to snatch his hand, brushes it off, Microbe brings his fist to the Boy's face.
Boy, on the phone:
What if they are attached to me?
OK, Google:
In what sense?
Literally! ( Shakes a hand with a leash )
Try to get started...
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What Google advised to try first is described in the continuation of the scene. It (together with the beginning, that is, the entire scene) can be obtained through "".
With a wish to act with a drive,
